A Pre-Production Checklist for Your First LED Volume Shoot
On an LED stage the background is finished before the camera rolls. Here is what has to be decided, and when, so the shoot day goes to plan.
Optical, Inertial or Markerless: A First-Timer's Guide to Motion Capture
Three ways to record a performance, what each is good at, and how to prepare so the data you take home is usable.
Green Screen or LED Volume? How to Choose for Your Next Shoot
Both put talent somewhere they are not. The real difference is when the decisions get made, and where the cost lands.
What Makes a 3D Environment Hold Up on an LED Wall
A good render and a good wall environment are different things. Here is what separates a background that sells the shot from one that reads as a screen.
How Camera Tracking Works on an LED Volume
The wall only looks like a real place if the virtual camera moves exactly like the physical one. Here is what tracking measures and where it goes wrong.
LED Pixel Pitch and Moiré: Picking the Right Wall for Your Shot
Pixel pitch decides how close the camera can get before the wall shows its grid. How to choose, and how to shoot around moiré when you cannot.
Lighting Talent on an LED Volume
The wall gives you soft, scene-matched light for free. What it cannot give you, and how stage lights fill the gap.
Sync, Genlock and Colour: Why an LED Wall Flickers on Camera
A wall that looks perfect to the eye can band, flicker or shift colour on camera. Where it comes from and how it is fixed.
LED Volumes in Virtual Production | Challenges & Solutions by WLab
Discover how LED volumes enhance brand experiences and virtual production — covering key challenges like colour shift, moiré, synchronization and lighting, plus actionable solutions from our NYC studio.
